When compared to some of the other editing platforms such as Final Cut Pro or Windows Movie Maker, Adobe Premiere Pro can seem overly-expensive, overly-complicated and not really worth the hassle. Even for the most technical videographers, the Premiere Pro interface has a pretty complex feel to it. The Warp Stabilizer effect is not perfect but it does offer a number of fine-tuning options to dial in the best results possible.Opening Adobe Premiere Pro for the first time can feel like you’ve just stepped into a labyrinth. How to Reduce Shakiness in Premiere Pro Step 3: Fine-tune and correct the effect If the results are less than satisfactory, don’t worry, we can fine-tune the process and attempt to correct errors. If you’re lucky, you’ll see good results right away and be ready to move on.
When Premiere has finished, your footage will now be stabilized. Check out our list of the best laptops for video editing if you are in the market for a new computer. If Premiere really struggles with this step, you may be in need of more powerful hardware. Depending on the length of the clip and other factors such as exposure, analyzing the footage and applying the effect may take a while. This is a two-step process and it's all automatic.
Next, Premiere will automatically analyze the footage and do its best to stabilize it. To apply the effect, all you need to do is drag it onto the clip. The following video quickly covers multiple methods for importing footage with Adobe Premiere Pro. The easiest is to drag and drop the files from a separate window. Footage can be imported into Premiere in a couple of different ways. The first step is to import your footage and load the shot you want to stabilize into the timeline. HOW TO STABILIZE A VIDEO IN PREMIERE PRO Step 1: Prepare your footage
With all of this information in mind, we’re ready to jump into Premiere. Overexposed images and underexposed images will both be difficult for the editing program to analyze and are more likely to result in errors or an undesirable outcome. Properly exposing your footage is also key for any shots that you hope to stabilize in post. A shot with clearly defined edges will be easier to stabilize in post than a shot of something like a blank wall or a body of water that lacks easily definable spots for the editing software to track. To stabilize footage in post, the editing software needs to analyze each frame and identify certain data points to track their locations throughout the shot. If you don’t have any of these tools, you can still set yourself up for success in post by planning ahead and making smart decisions during the shoot that will make stabilizing easier and more effective. Use a tripod, gimbal, steadicam, or stabilizer on set to get the best results. The best way to get smooth footage is to ensure the footage is shot smoothly on set.
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